Not long ago, I toured a Western art museum and found myself absorbed in the works of Russell and Remington. Their paintings, alive with movement, depicted the unforgiving life of the cowboy — scenes filled with dust, tension, and the raw energy of untamed horses. These animals, used for transport and survival, stood in stark contrast to the roles horses now occupy in our world — companions in leisure, competitors in sport, and trusted partners in training. But one detail in every piece caught my attention and left me uneasy: riders with rigid hands pulling back, and horses resisting, mouths wide in distress.