It’s common for riders to compete at high levels today without advanced horsemanship knowledge. A rider’s success in the show ring seems to have greater value than their horse management skills, but that wasn’t always the case. Many of Canada’s former top riders credit Canadian Pony Club (CPC) for their horsemanship knowledge and acknowledge its importance to their success. The horse industry has since changed and now, riders rely on coaches to know what’s best for their horses.

Due to its effectiveness in helping the horse carry his body with good form, the longe cavesson is arguably one of the most useful pieces of equipment to own. Yet, only a surprisingly small number of riders who know about it. While early depictions from the 16th century refer mostly to its value in lateral poll flexion, its benefits for groundwork extend to a horse’s entire body. For anyone who performs groundwork it is an indispensable tool, as I will explain. Common misalignments of horses during groundwork include a twisted poll that comes from a handler using a line attached under the chin, or one-sided pressure on the bit when using a bridle. The alignment and state of positive — or negative — tension in the poll directly affects the rest of the body.

Contrary to what the name may imply, Pony Club isn’t just for little kids on ponies. Pony Club is an international volunteer-based organization that originated in Britain and came to Canada in the 1930s. The Canadian Pony Club alumni Wall of Fame reads like a “who’s who” of Canadian equestrians: Ian Millar, Beth Underhill, Chelan Kozak, Christilot Boylen, Dana Cooke, Danny Foster, Gina Smith, Jim Henry, Jimmy Elder, Joni Lynn Peters, Karen Brain, Leslie Reid, Liz Ashton, Lorraine Stubbs, Lynn Larsen, Rebecca Howard, Rob Stevenson, Sandra Donnelly, Tik Maynard, and many more. Some of those alumni still compete at top level; some no longer ride. But they all struggled through a series of written, stable management, and riding tests, then put those skills and knowledge to use to become some of Canada’s best riders.

Contact with a horse’s mouth via the bit is a generally accepted principle when riding or driving. But a horse’s mouth is incredibly sensitive and many riders around the world are successfully guiding their steeds without bits. Where did the idea of contact come from, what is it, and do riders really need contact with a horse’s mouth to convince their horse to perform?