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For generations, riders and horse lovers have been enthralled by the mystique of horsemen (and women), but many struggle to define what a “horseman” actually is. Is a horseman someone with a laundry list of skills such as starting young horses, nailing on shoes, being knowledgeable about horse care, and having the ability to train horses to the highest levels? Or is a horseman someone who lives in the moment, has mastered their emotions, and understands a horse’s mind? Perhaps a horseman embraces all of these attributes; perhaps none.

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It’s common for riders to compete at high levels today without advanced horsemanship knowledge. A rider’s success in the show ring seems to have greater value than their horse management skills, but that wasn’t always the case. Many of Canada’s former top riders credit Canadian Pony Club (CPC) for their horsemanship knowledge and acknowledge its importance to their success. The horse industry has since changed and now, riders rely on coaches to know what’s best for their horses.

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Contrary to what the name may imply, Pony Club isn’t just for little kids on ponies. Pony Club is an international volunteer-based organization that originated in Britain and came to Canada in the 1930s. The Canadian Pony Club alumni Wall of Fame reads like a “who’s who” of Canadian equestrians: Ian Millar, Beth Underhill, Chelan Kozak, Christilot Boylen, Dana Cooke, Danny Foster, Gina Smith, Jim Henry, Jimmy Elder, Joni Lynn Peters, Karen Brain, Leslie Reid, Liz Ashton, Lorraine Stubbs, Lynn Larsen, Rebecca Howard, Rob Stevenson, Sandra Donnelly, Tik Maynard, and many more. Some of those alumni still compete at top level; some no longer ride. But they all struggled through a series of written, stable management, and riding tests, then put those skills and knowledge to use to become some of Canada’s best riders.

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Contact with a horse’s mouth via the bit is a generally accepted principle when riding or driving. But a horse’s mouth is incredibly sensitive and many riders around the world are successfully guiding their steeds without bits. Where did the idea of contact come from, what is it, and do riders really need contact with a horse’s mouth to convince their horse to perform?

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It is a simple enough goal: The more time a horse spends in the correct alignment and balance, the more firmly good habits form. But putting this into practice during our daily training is often not as straightforward as it seems.

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Simple Exercises and Routines to Reprogram Dysfunctional Movement - As tempting as it is to use our riding skills and training expertise when teaching a horse to carry his body differently or when rehabbing post-layoff, this actually slows the process down. Somehow, many of us equestrians missed this crucial fact during our educations.

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We breathe more than 20,000 times a day. Most of the time, we don’t give it much thought, since we do it automatically and all seems to go well… except when it doesn’t.

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Most of us intend for our daily rides to improve our horse at some level, either by adding to his physical conditioning or progressing his training skills. But whether or not your horse actually makes these gains often comes down to the amount of time you spend on each phase of the ride. The format of your ride determines the outcome of physical improvement.

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One of the simplest ways to improve athletic output is to ride your horse at different speeds within every gait throughout each week. Moving through a range of gears stimulates the neuromuscular system to create fuller metabolic function within muscles.

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Sharing Costs, Spreading Risks - Racehorse syndicates have been around for a long time, but it’s only in the last 20 years that sport horse syndicates have become more common. In the horse world, a syndicate is generally a group of people who pool their funds to invest in a horse together and share the horse’s annual costs. Everyone who “buys in” is a shareholder and owns a portion of the horse for a set period of time, or until the horse is resyndicated or sold.

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