Dressage

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Four Symposiums Across Canada - “Riding is a lifelong learning process,” says Christoph Hess, a retired FEI 4* dressage judge and Level 3 eventing judge. “After riding one horse, you might think you’re a hero, but then you ride another and wonder whether you can ride at all.”

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Visiting a Western art museum recently, I was captivated by the Russell and Remington paintings of horses and riders. The harsh realities of cowboy life were portrayed by hard riding and bronco busting. Horses in action — vehicles of transportation and battle — seemed a sharp contrast to horses in our modern Western cultures as companions or partners in sport. Though enchanted by the artistry, I was unsettled by the common denominator in every painting — every rider hauling on the reins; every horse a picture of mouth-gaping tension.

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Who doesn’t love a horse with a laid-back disposition, the unflappable sort, unfazed by snow skidding off the arena roof? The downside of that laid-back horse is that he’s liable to be laid-back about his rider’s aids, too.

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In the last few years, teenaged horses have been making headlines by winning some of the biggest competitions on the planet. At the 2020 Tokyo Olympic Games (held in 2021), over half of the three-day eventing horses were aged 13 through 19. The oldest horse was Tayberry, a 20-year-old ridden by Hong Kong’s Thomas Heffernan Ho.

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For generations, riders and horse lovers have been enthralled by the mystique of horsemen (and women), but many struggle to define what a “horseman” actually is. Is a horseman someone with a laundry list of skills such as starting young horses, nailing on shoes, being knowledgeable about horse care, and having the ability to train horses to the highest levels? Or is a horseman someone who lives in the moment, has mastered their emotions, and understands a horse’s mind? Perhaps a horseman embraces all of these attributes; perhaps none.

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Horse events are expensive to host, so event managers love to have sponsors help fund their events. Top events put on shows with good prize money that competitors, spectators, and sponsors flock to. However, attracting and retaining sponsors can be challenging. We asked the sponsorship managers for The Royal Winter Fair Horse Show and Angelstone Events to share how they do it. Plus, we asked a smaller company which has provided sponsorship to share their perspective. Here are the eight steps they recommend to help garner top-notch sponsors for your next horse event.

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It’s common for riders to compete at high levels today without advanced horsemanship knowledge. A rider’s success in the show ring seems to have greater value than their horse management skills, but that wasn’t always the case. Many of Canada’s former top riders credit Canadian Pony Club (CPC) for their horsemanship knowledge and acknowledge its importance to their success. The horse industry has since changed and now, riders rely on coaches to know what’s best for their horses.

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Youth riders are the future of Canada’s equestrian teams, but not every horse sport has dedicated programs to bring along competitive riders aged 12 to 30. Equestrian Canada’s (EC) Long-Term Equestrian Development document provides a road map for athlete development — from those new to horseback riding to riders competing on Canada’s senior teams. Yet, there’s no one-stop-shop that describes pathways and programs for youth in different horse sports. Every sport has unique divisions and opportunities to advance, but some lack systematic activities that encourage advancement. Regardless, many riders who have represented Canada internationally have honed their skills through the youth programs and competitions that are available. Here’s a brief summary of programs available for Canadian youth riders, along with insight from those involved.

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Dressage, show jumping, and three-day eventing are the only Olympic sports where men and women compete against each other. They’ve been doing so for over 50 years, but it’s an aspect of equestrian sport that receives little public recognition. Most sports are divided by gender — men in one class and women in another — to prevent one sex from having a physical advantage over the other. But the gender of horseback riders and drivers is not considered an advantage or disadvantage. Hence in equestrian events there’s no need to level the playing field by segregating men and women.

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Contrary to what the name may imply, Pony Club isn’t just for little kids on ponies. Pony Club is an international volunteer-based organization that originated in Britain and came to Canada in the 1930s. The Canadian Pony Club alumni Wall of Fame reads like a “who’s who” of Canadian equestrians: Ian Millar, Beth Underhill, Chelan Kozak, Christilot Boylen, Dana Cooke, Danny Foster, Gina Smith, Jim Henry, Jimmy Elder, Joni Lynn Peters, Karen Brain, Leslie Reid, Liz Ashton, Lorraine Stubbs, Lynn Larsen, Rebecca Howard, Rob Stevenson, Sandra Donnelly, Tik Maynard, and many more. Some of those alumni still compete at top level; some no longer ride. But they all struggled through a series of written, stable management, and riding tests, then put those skills and knowledge to use to become some of Canada’s best riders.

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